       |
 |
FROM THE YANGTZE TO
THE FRASER
by Jan Wong
"This work carries forward the idea of migrations by bringing
the Yangtze and Fraser rivers together across the Pacific Ocean.
They signify the coming together of peoples and cultures."
READ MORE |
 |
 |
RITUAL
ART AND LAW IN SALTWATER COUNTRY
by Moira G. Simpson
"The pattern is representative of his clan, the Apelech. Apelech
refers to the areas of clear water that can be seen particularly
in the dry season when the weather is calm and the silt has settled,
leaving the shallow coastal waters clear and bright - a good time
for spear-fishing." READ
MORE |
 |
 |
OUR ART
IS OUR LIFE: THE POWER OF MARIANNE NICOLSON'S WORK
by Gerald Taiaiake Alfred
"Our art is our life, and
to me the power of Marianne Nicolson’s work is not on display
in drawn designs or shaped forms. What makes her an artist in my
mind is her conscious engagement with the elements of her people’s
culture and their homeland." READ MORE
|
 |
 |
HORIZONS: DRAWING
THE LINE
by Loretta Todd
"In Near Intervisible Lines, the histories and stories
imagine a different geometry of time and place, told in a steady
current of moving camera and framing off and then on again, editing
from one story to the next, with soundscape and music." READ
MORE
|
 |
 |
ASYMMETRICAL TRANSLATIONS:
THE ART OF JOHN WYNNE
by Kate Hennessy
"These road signs represent one of many dynamics of translation
in Anspayaxw. These are not literal, symmetrical translations
but transformative inscriptions and reclamations of language, meanings
of place, and culture." READ MORE
|
 |
 |
FACE À FACE / FACE TO FACE
by Pierre Petit
"This mechanical ballet is danced to the rythm of a soundtrack in the form of a dialogue between the two performers—the machinery and the freight." READ
MORE
|
 |
|